For the past few months, Dan Brown's bestseller The Da Vinci Code has been all over town. Any bookstore I went too had a dozen copies in the window. At the airport, in magazines, on the Internet. Anywhere I looked, I saw The Da Vinci Code.
If this was not enough, everybody started talking about it. Not the book itself but how successful it was, how big a bestseller it became. Then the books about The Da Vinci Code started to appear, analyzing why it was so successful. Others were explaining the contents from a historical point of view. Yet others were criticizing it for incorrectness. The whole thing became very theatrical, which greatly contributed to the success of the novel.
I was intrigued. How can, for example, representatives of religious organizations go around criticizing the historical facts in a novel. It is a novel, a work of fiction. Any bookstore or library files the novel under the category of fiction.